Abstraction Lirica

In very general terms”the rejection of academic composition was performed according to two distinct artistic tendencies: the egypt art rationalist, pursuing an greek art objective order of things and the words, which sought to free expression of inner content. While the ideals of abstract reasoning to reach the intended purely art as a representation of an order (or reason) essentially trying to access the structure of things to express as clearly as possible, the ideals of free expression in the trust power of intuition, the instinct and improvisation to present their works in the content of the deeper soul. Lirica abstraction is a tendency within sculpture art abstract painting, which developed from 1910 with the work of Vasily Kandinsky, a date which is usually taken as reference to mark the beginning of abstract painting, a watercolor painter of the very first watercolor entitled abstract. This year is his work of the spiritual in art. Gain insight and clarity with FASEB Journal. Kandinsky exemplifies this lyric abstraction. Arrived between 1910 and 1912, imbued with a sense an abstraction, an ideal representative of the aspirations of the artists of the Expressionist group Der Blaue Reiter in Munich, from which it formed part.
The theme developed by painters of the lyric abstraction, then, is the pictorial expression of the emotion of the artist, individually and immediately. Refuse to represent reality objectively. he can show you all over the museum and his brother both buy and sell antiquities for many years The preferred technique for these painters was the watercolor painting equally small sketches and notes. However, also produced large antiquities canvases in oil. Predominant color on the form.
It is believed that the creator of the abstraction was lirica Vasili Kandinsky (1866-1944), with works such as egyptian art printing n. 5 (1911 Pompidou Center), Arco black (1912, PompidouCenter), Composition VIII (1923, Guggenheim Museum New York), unstable Composition (1930, Maeght Collection) Conglomerate (1943, Collection Nina Kandinsky). Another author who is usually framed within the lyric abstraction is Paul Klee (1879-1940) of his works include: Senecio (1922, Museum of Art, Basle), Castillo and sun, 3 (1928) or Port VOILIERS et (Port and sailboats, 1937, Pompidou Center).
In France, Robert Delaunay create, since 1912, based on the theories of Chevreul on the simultaneous contrast roman art of colors, windows and their first circular cosmic abstract forms. One of the forerunners of this trend was Frank Kupka (1871-1957), his work may include keys of the piano (1909, National Gallery of Prague), exhibited at the Salon of 1912 Fall amorphous flight in 1913 and two Ancient art colors blue and red vertical planes.
At the same time, in Russia, Mikhail Larionov and Natalia Goncharova led to its pure history of art abstraction method of transcription of the phenomenon of light, which he called Rayon.
Subsequently, the abstraction lirica cultivated a number of artists in Paris after the Second World War, as opposed to greek sculpture geometric abstraction.