Our Art Gallery

The City Art Gallery exhibiting the works of L.D. Schemelyov, was set up to display the (permanent) works of Leonid as well as those of other (temporary) artists.  In addition, music and poetry evenings, video demonstrations, open lectures, and professional seminars are held at this location.  This renders the gallery an art lover’s paradise – for both artists and art appreciators alike.
What Schemelyov and the other artists who display pieces at this gallery have in common is the capacity to see natural beauty in the environment as well as “dignity and nobility in human nature.”  The focus is on natural simplicity, which gives the artists’ work charm and beauty.  Schemelyov himself was awarded the People’s Artist and laureate of the State Award of the Republic of Belarus, as well as the Frantsisk Skorina Medal.    In addition, he has been able to display many of his works in his hometown as well as in other countries, participating in various international artistic forums.  Museums and galleries have acquired some of his artistic creations as well as private collectors throughout Eastern Europe, the Americas and Central Europe.

Raymond Nonato

But, and the Mountain range of the Capivara? The Mountain range of the Capivara is one ' ' almost exceo' ' , in what the application of investments for the development of the archaeological tourism in the Piau says respect. The FUMDHAM (Foundation of the American Man) made a loan next to the BIRD and made a series of investments where they had resulted in the construction of an infrastructure that made of the National Park Mountain range of the optimum Capivara Park of the South America. The park offers to tourist tracks and hundreds of prepared archaeological small farms for visitation; one created the park to the outdoors and the International Festival Mountain range of the Capivara, that if repeats annually. Moreover, the park also makes use of a wonderful museum of natural history, the Museum of the American Man, ' ' optimum and more modern of the Amricas' ' , with laboratories modern and most equipped of the world. In 2004, the Federal University of the Valley of the San Francisco created the course of graduation in archaeology and conservation of the patrimony and created a campus in the city of Is Raymond Nonato. The FUMDHAM showed as it is possible to make a work for the development of the tourism in the cities where they possess archaeological small farms. Why almost exception? Because the changes had made gifts only in Are Raymond Nonato (Mountain range of the Capivara) where exist archaeological small farms that had been not yet explored due to investments. Almost exception also, had the lack of sensitization of the people who inhabit in the roundnesses of the park, where had started to deforest areas next to the limit to the National Park of the Mountain range of the Capivara, becoming through these acts insanes a conflict area, being therefore, a retrocession for as much investment, with this exactly thought is valid to cite the words of the researcher Nide Guidon ' ' the federal government is pathetic to have expense in such a way to create one tourist center of international level and later allowing that slum quarters if install in its entorno' all; ' .

Frenchman

My young woman (…) that one is proud to have ideas and ideals, that teach to me very, daily, and that if express with clarity and coherence through gestures, attitudes and, mainly, words. It is, words. From now, I have certainty, it already can say for itself prpria.' ' (REBOUAS, 2004, P. 68) In this moment the second narrator, the proper Maria of Lourdes enters in scene, counting, in accordance with its optics, the relation of love and conflicts with the figure materna. Its narration if extends until the end of history, when it is with 21 years and leaving house to live alone.

The workmanship demonstrates that in the relation mother and son the two sides present its quota of ' ' martrio' '. If for times the children do not understand the mothers, at certain moments they are the mothers who do not understand the children, trying to pass all its demands of you distress and frustrations to the rebentos. – It goes to study Frenchman, u. – I do not want to study Frenchman! I never had the minimum will. How it is that you had courage to make this with me? Mother who nonsense. (…) – Maria of Lourdes, saves me of its adolescent sermes, yes? – Not, to save I do not go you not! Every day I make a mount of things alone because you want. I go to the English because you want, I make swimming because you want, I read book who you and compel me to the professors to read, I go the museums who you choose, I make programs who you find legal, I give satisfaction in house because you find certain you will be that you do not understand that at least in my school registration, I wanted to have a bit of autonomy? – How drama! As you badly are thanked, as she is ill-tempered! Maria of Lourdes, that bad genius you have! Its brothers are so my friends, so fofos, so zen (REBOUAS, 2004, P.

Sacra Art

Who is not devoted Mr. of the Bomfim, the countless miracles, who is not caught with Oxal, ebs infallible? (LOVED, 1988, p.53). E, Jorge thus Loved, among the lines of the text, goes weaveeing our history and launches light on some of the representations of nation propagated gifts and in the Brazilian society, for its more varied institutions. Critical the social one is present in elapsing of all narrative, in what it says respect to the religion catholic who sultry or would have stressed the exuberncia inventive of one old culture of the people. In this workmanship, they are gifts racist, corrupt and negligent personages who if acortinam in the religiosidade to forge a dirty identity, impregnated in ' ' pecado' '.

Strategies of the author, the religious personages of the Sumio of the Saint, who represent the church catholic, are distinguished as human beings, for times going of meeting to the dogmas of the priesthood. The desvirtuamento of such dogmas can be perceived in Dom Maximiliano, dom ' ' Mimoso' ' , delicate and erudite. It is the director of the Museum of interested main Sacra Art and in unmasking the mystery of the disappearance of the saint. During the plot, he passes of victim suspicious of the presumption the robbery; he initiates yourself, then, the escape to the press and the phone calls of proco of Amaro Saint of the Purificao, that loans to the contrataste the image to it. This event is aluso the truthful facts of the time, where sets of ten of images already had been stolen in churches and museums, many under suspicion of religious of the doctrinal order. A great number of these rarities came to stop at the hands of collectors, here and in other countries, probably to the cost of good ' ' foot of meia' '. The narrator, with malicious gingado, goes desestruturando doctrinal certainties, where the pregao is one, and the attitudes others.

Johann Natterer

Johann Natterer was born in 9 of November of 1787 and faleceu in 1843. Naturalist, became exploring the service of Franz Josef, Emperor of one of the empires most important of century XIX: Austria.Filho de Josef Natterer (1754-1823), zologo the service of the empire, it had a brother, Joseph Natterer, Jr whom the same profession also hugs. After studying chemistry, anatomy, natural history and drawing, it travelled for the Europe in 1806, as part of its evolution in the seek area. Custodian of the collections of the Emperor became, located in the Hofburg, in Vienna, and later one of the profcuos scientists (amateur, therefore never he was an academic) of all became the times. In the year of 1817, Emperor Francisco I of Austria financed an expedition to Brazil for occasion of the marriage of its son Leopoldina Maria of Austria with the inheriting prince of the Portuguese Crown, Dom Peter de Alcntara, who later would come to become emperor of the Brasil.Ele and 18 members of diverse areas of scientific knowledge had been more nominated to participate first to the great scientific expedition the South America (Brazil). Natterer was indicated as zologo of the expedition, together with other naturalists, including Johann Baptist von Spix and Carl Friedrich Philipp von Martius, Germans invited to participate of the Austrian taken over on a contract basis one. Although all the members of this intention the example of the aquerelista Thomas Ender, of the naturalist Pohl and as much others that had remained the service of the empire per 1 year Johann Natterer remained in the South America per 18 years, having been for the most part of this Brazilian time in ground.

Franz Josef all sponsored its permanence for the time and it, eager for the desbravamento of Brazilian lands, embrenhou in the north bushes the south, hunting, identifying, conserving and directing for Vienna more than fifteen a thousand species of animals, aboriginal manufactured eobjetos vegetables of innumerable tribes with which it was in direct contact. Also it was directly in contact with the wars that if they stopped in definitive regions of the country, as well as also with the tropical illnesses of which it was victim, without having fond the death. She was married Maria of Rego, Brazilian indian, and had three children. All had returned Vienna in 1835, having it been recognized for its scientific merit, but in less than two years, it on account lost its woman and two children of the climatic illnesses. Its daily ones, drawings and watercolors, beyond the animals empalhados- was also distinguished as taxidermista- had been conditioned first in the Brazilian Museum of Vienna and later transferred to the Museum of Natural History of Viena.Podemos to find other innumerable ones you sin of this vastssima Brazilian collection in the museums of Dresden, Munique and in Zurich. More than 500 letters still written for it to the Brazilian emperor, searching releases and auxiio for its trips can be found in the Etnografico museum of Vienna, in archive not yet opened the visitation. Its life almost had end 10 years after its return to the native land and during this time it published a work on its discoveries in Brazilian lands. Today recognized and it is venerated as one of first and the more complete scholars of the flora, fauna culture Brazilian in the world.

Central Brazil

Is very said in Brazil of the entrances and Flags, occured in following centuries XVI and, as the Trips of Ferno Days Breads Helm, however little say of the entrances and Open pasture, that is, of the entrances in the Open pasture of Central Brazil. According to information of the Museum S.Maluf de Sacrament 1820, the entrances in the Open pasture initiated in century XVII, with the povoamento pan in it of the River of the Old ones, current River Jaguari, in the place known with ‘ ‘ Desemboque’ ‘ , in the way of the mountain range of the Hamper, in the cited City. It discharges, lands of very, and ‘ ‘ Sassa mutema’ ‘ (Duarte Rasp), today it summarizes the two small chapels, a small cemetary, ‘ ‘ one vendinha’ ‘ of roa, and much characteristic field of the mountain range of the hamper where adormece belongs. In century XVII, for incredible that it seems, its population, according to information of the museum of Sacrament and commentaries of the region, was very bigger that the population of So Paulo, is this, Is Pablo-SP, who today has more than ten million inhabitants. It is not that in century XVII, Discharges had ten million inhabitants more than, is that at that time, It discharges I pan in it of the river of the Old ones, according to historical information, had two hundred a thousand people more than, while So Paulo, in the turn of year 1900, only had one hundred a thousand inhabitants, while Rio De Janeiro, already had eight hundred a thousand inhabitants. She is necessary that if it says more a little of ‘ ‘ Canastra’ ‘ , mountain range where ‘ is born old; ‘ Chico’ ‘ , River San Francisco, in the verge practically of the state of So Paulo, in water the dividing mountain range, having of the So Paulo side the Frank city of after the passage of ‘ ‘ River Grande’ ‘ , as its way for Is Roque of Mines, descends the hamper in direction the Clear Piuhiu, Iguatama, Mounts, etc.

English Settings

In one of its days of recess it are to visit the museum British. It was an immense building of imponent faade. With a great patio in its main entrance encircled by very well well-taken care of gardens and with doors and wide that give access to the building. This museum is one of the greaters of the city. He is famous for containing devices and antigidades of all part of the world.

Probably they had been acquired as resulted of many English settlings around of the planet and some gained as gifts (and still others that had been probably caught loaned). To the floor for the building, Migrantino notices in ones of the bulletin boards that they were enlisting employee for the work of Cleaner (a faxineiro of first world). It decides to fill a form and to risk if to candidatar the vacant. For its surprise, two days later would call to it to cover the vacations of an employee. Until then, much time in job still does not work fixed.

It covered recess of somebody, vacation or always lacks of others. It functioned as coringa in a game of letters. As soon as it arrived, in its first day of work, was received for Mike, the cleanness manager. Mike was of the Litunia, but it liveed in London ten years for more than. It was soon calling its subordinate for explaining the works to it. Its name was Anael (this name always remembered some thing to it, but not wise person accurately what it was). As it could not leave of being, Anael was also Brazilian (As it had Brazilian in London! , it could even find them in public bathrooms). Its first day was basically of training (at last, now it would be trained before starting to work). Already it had passed before for some ackward situations for not having previously been trained.

Social World

The school does not have to only aim at to the construction of the knowledge, but the formation of values, attitudes and personality of the pupil. Then, as to assure that the school is fulfilling to its paper of formation citizen? The contextualizao of current subjects must be promoted in accordance with mainly in the pertaining to school sphere that show to the student the importance of being pupil-citizen and that they are, Dayrell (1999), ways through which it can understand itself better and understand the physical and social world where if he inserts, contributing, therefore, in the elaboration of its projects. The school needs an approach with the reality of the pupil and the proper community in which it is inserted. The necessary pupil, also, to be stimulated to think for proper itself and to search the knowledge of its interests, in the libraries, museums, etc. Is certain that the papers of the family and the school, before with priority repressores, had been modified throughout the last decades. In this direction, awareness is importantssimo of that the relation between education, school/family/society must be white of a continuous transformation, that influence the effective models of education, school and society. The schools must be more active and participativas, to awake in the pupil the desire to learn.

the support and the familiar cohesion can provide to the children a balanced and healthy structure, to grow and to become conscientious citizens of its paper in the society being capable to interact and to intervine in the reality. As says Vitor Paro (s.d.), the school must use all the chances of contact with the parents, to pass excellent information on its objectives, resources, problems and also on the pedagogical questions. Only thus, the family will go to feel itself engaged with the improvement of the pertaining to school quality and with the development of its son as human being.

Archaeological Treasures

However nobody until then had seen to such grotto, that already she was being considered a hoax, a fraud. No signal, no strange registration had been located, only the stories of the last remainders of the peoples local, destroyed and absorbed for the local culture. ' ' Still would exist places hidden, found archaeological, treasures? We are not so far from intense the urban life, nor so far from specialists, museums and justinian codes with people specialized for this type of research. None of us was specialist, only curious with much reading and many histories heard and counted since infancy. It seemed that the past already had offered its gifts the sufficient to aquietar this fever of discoveries. The old peoples and missing people still would have will to disclose to its history for a so auto-complacente time with its satiated technology and its scientific advances? Well, they are many questions turning quickly in my mind, but we go what interessa' ': – All ready? Blaise took the first drink of water of the many necessary ones to win that steep, crooked, of closed bush, full way of obstacles and stumbles. Baruch of dark eyeglasses, cap in the head and clothes of camouflage was paramentado as a Hollywoodiano explorer. I, prevented that I am, was besuntado of repellent, so besuntado that he would repel my proper one namorada, if it was here.

To our redor some other destemidos formed other teams of amateur, trilheiros explorers of potential hunter, weekend of imaginary treasures. But not many, therefore the dense and full bush of frightful legends did not inhale to a more frequent contact. the day starts then, desires to good luck between us all, breathes deeply and the anxiety and the excitement were as much that badly gave to contain our enthusiasm. It was a clear morning of Sun, the still oblique rays crossed the high twigs and formed an inclined curtain of light.

Art Sociology

In the text Heinich author, approaches the art not as a natural manifestation, but a phenomenon constructed by means of history and of the practical ones. In this way, the sociology of the art ‘ ‘ … must not more have petition necessity of principle for if interesting for the different public, for its morphology, its behaviors, its motivations, its emoes’ ‘ (pg 71). Thus the study of the reception it takes in them to one better understanding. The author, comments the workmanship of Pierre Bourdieu that became the starter of the research statistics for the world of the culture, making a critical one on the belief in the innate character of ‘ ‘ disposals cultivadas’ ‘ , to put in evidence the primordial paper of the familiar inculcao, relating the notion marxist of economic capital of cultural capital, denouncing the fact of that the museums, instead of being instruments of a possible democratization to the access to the art, aggravate the overcoming it enters not experts and initiates, in the same way that the universities, instead of working for the democratization of the access when knowing, only make to go deep in the distance between dominant and dominated. 1SOCIOLOGIA OF the TASTE In this chapter the author places the ideas of Bourdieu that understands as a system of durable disposals one ‘ ‘ structuralized structure estruturante’ ‘ , that is, a coherent set of capacities of habits and corporal markers, that the individual for the not conscientious inculcao and the internalization in ways of being proper of the way forms. Without this notion it would be difficult to apprehend what it makes true ‘ ‘ barrier to entrada’ ‘ in the places of high culture. cultural 1.1Prticas According to author the mensurao statistics of practical the cultural ones, mentions frequentao to it. Two interpretations are proposals for Bourdieu and cited by the author to explain the phenomenon: or if it deals with a democratization of the public, for the opening of the museums new social categories, more numerous less selected, or if it deals with an intensification of the practical one for the same social categories, attracted with more frequency for the museums for the multiplication of the expositions as well as for the increase of the time consecrated to the leisure.